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Past
issues of Yishu- Journal of Contemporary Chinese Art may be obtained by contacting us for US$15 per copy plus shipping.
This
section contains links to previous issues. |
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Yishu-
Journal of Contemporary Chinese Art |
| Volume 6, Number 3, Fall/September 2007 |
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Contemporary Art in Greater China: Under Pressure. 52nd Venice Biennale. documenta 12. Artist Features: Mo Yi, Zhang Jian Jun, Gao Brothers, Liang Shaoji. Interview with Wang Peng. And much more...
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| Volume 6, Number 2, Summer/June 2007 |
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Venice Biennale Preview. Asia-Pacific Triennial of Contrmporary Art. Interviews with Wang Wei, Xu Bing, Simon Groom, and Karen Smith. Censorship in Shanghai. Arrivals and Departures: New Perspectives on Hong Kong Art. And much more...
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| Volume 6, Number 1, Spring/March 2007 |
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A tribute to Jonathan Napack. Taipei Biennial 2006. Documenta 12 Magazines Special Feature on Education. Interviews with Cai Guo-Qiang, Shen Yuan, Ed Pien. And much more...
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| Volume 5, Number 4, Winter/December 2006 |
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A feature on the Singapore and Shanghai Biennales. documenta 12 magazines special feature on education including a discussion on the new trend in Graduate Programs in Art and Culture in Taiwan. Interviews with Samuel Kung (Chairman and Director of the Shanghai Museum of Contemporary Art), and Cao Fei. Reviews of the art of Luis Chan as well as Kaern Smith's Nine Lives: The Birth of Avant-Garde Art n New China. And much more...
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| Volume 5, Number 3, Fall/September 2006 |
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a special issue for the documenta 12 magazines project . Yishu have been invited to participate in this collective editorial project linking over seventy print and online periodicals worldwide as well as other media. documenta 12 magazines focuses on three key questions: Is Modernity our Antiquity? What is Bare Life? and What is to be Done (Education)? Yishu will be exploring aspects of education and this issue, guest edited by Philip Tinari and David Tung, is devoted to the Yan’an Forum on Art Education organized by Cai Guo-Qiang and Lu Jie and presented as part of the Long March Project, Yan’an, Shaanxi province. |
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| Volume 5, Number 2, Summer/June 2006 |
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Analyses of the social, economic, and cultural transformation
that is taking place in China today, as exemplified by the proceedings of the Shenzhen Biennale of Architecture and the symposium titled Cultural Memory held at the House of World Cultures in Berlin. The folowing artists are featured: Tang Maohong, Michael Cherney, Qin Yufen, Hong Hao, Shi Jinsong, and Robert Majzels. And much more...
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| Volume 5, Number 1, Spring/March 2006 |
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In-depth special feature on recent exhibitions of contemporary Chinese art that reveals directions that curators are generating in presentation, interpretation, and understanding of artistic production by Chinese artists. Features on artists Xing Danwen, Qui Ping, Feng Mengbo, and Lin Dahong. Exhibitions reviewed include Lu Hao at the Goedhuis Contemporary, China Trade at Centre A in Vancouvcer, andf the San Diego Museum of Art's Zooming into Focus in Beijing.
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| Volume 4, Number 4, Winter/December 2005 |
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Explores the art scene in Hong Kong. Essay by Martina
Köppel-Yang discussing the position of Chinese art internationally. Wu Hung and Patricia Karetzky bring updated perspectives on the work Gu Wenda and Zhang Dali. Biljan Ciric interviews Uli Sigg, an influential collector of contemporary art from China. Xu Bing is featured with an interview, an overview of a one day symposium on his work, and a discussion of his video work, Dynamic Desktop.
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| Volume 4, Number 3, Fall/September 2005 |
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In-depth coverage of the Venice Biennale: Chinese Artists and the 51st Venice Biennale;, China’s spectacular Emersion versus the spectres of bureaucracy looming in Taiwan, the Singaporean art of deconstructing national symbols, wordless dialogue from
Hong Kong or greater China at the 2005 Venice Biennale; and much more. Interviews with Wang Du and Philip Dodd. Zhang Linhai artist feature. Recent event reviews and curatorial notes. |
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| Volume 4, Number 2, Summer/June 2005 |
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Coverage of an international conference Displacements: Transcultural Encounters in Contemporary Chinese Art held at Stanford University in conjunction with the Iris & B. Gerald Cantor Center for Visual Arts exhibition On the Edge: Contemporary Chinese Artists Encounter the West. A transcript of a silent movie by Zhou Tiehai: WILL. |
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| Volume
4, Number 1, Spring/March 2005 |
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New Approaches to Exhibitions in China: including a Dialogue with Hans Ulrich Obrist and Hou Hanru on the 2nd Guangzhou Triennial. Interviews with Michael Lin and Hu Jieming. Artist Features include Tiande and Yin Xiuzhen. An in-depth look at three generations of Taiwanese art.
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| Volume
3, Number 4, Winter/December 2004 |
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Taiwan:
Artists, Exhibitions, and Institutions - a special section featuring topics
in Taiwan Art. Interview feature with Cai Yuan and JJ Xi. An indepth look
at the Shanghai Biennale. Reviews of Ai Weiwei at Robert Miller Gallery,
a look at the Gwangju Biennale, and The Dao of Wei Jane Chir. |
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| Volume
3, Number 3, Fall/September 2004 |
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Intersection: An Exhibition of Contemporary Chinese Photography and Oil
Painting. Eccentric Notes on Dissent: The Art of Zhu Wei. Mutations <>
Connections: Cultural (Ex)Changes in Asian Diasporas. An Interview with
Yang Fudong. |
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| Volume
3, Number 2, Summer/June 2004 |
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About
Between Past and Future: New Photography and Video from China. An International
Discourse on New Chinese Video
and Photography at the San Diego Museum of Art. Envisioning the Future
of Contemporary Art from Different Glocal Positions: Symposium at the
China National Academy of Art, Hangzhou. Interview with Young Hay |
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| Volume
3, Number 1, Spring/March 2004 |
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Special
Feature on the Pearl River Delta: From the Heart of Canton. The Ostentatious
Pearl River Delta. The Fifth System as New Psychological Spaces. Edges
of the Earth Symposium: The Syndrome of Asia. Earth Link and Cosmic Time. |
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| Volume
2, Number 4, Winter/December 2003 |
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A
section on Gu Wenda: From Middle Kingdon to Biological Millenium.
A survey of China Reinvented - the art of overseas Chinese
artists in the United States. An essay on the art of Emily
Cheng. A discussion of contemporary Chinese photography.
Review of the inaugural Beijing Biennale. |
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| Volume
2, Number 3, Fall/September 2003 |
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A
feature section on women artists that includes an essay
on women's art in Hong Kong. An analytical essay on the
prospects of Chinese Contemporary Art that draws on the
impressions from the latest Venice Biennale. Also features
Hans Ulrich Obrist Camera Interviews series that
includes conversations with Chang Yung Ho, Wang Jianwei,
and Yang Fudong. In addition, includes the Long March feature
as well as reviews by Jonathan Goodman. |
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| Volume
2, Number 2, Summer/June 2003 |
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Chinese
participation in the 50th Venice Biennale. Coverage includes
reviews and essays by Shu-min Lin, Fan Di'an, Hou Hanru,
Lin Yilin, Ou Ning, and more. Ken Lum documents his interview
with Hou Hanru. Among other contents: a discussion on the
influence of contemporary art on architectural spaces, and
essay on art in Hong Kong, and a comprehencive section on
Asian Contemporary Art. Also included are reviews of Chamber
Fine Art and Miguel Trelles at Taller Boricua. |
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| Volume
2, Number 1, Spring/March 2003 |
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Special
issue on Contemporary Taiwan Art. Inside you will find a review
of 2002 Taipei Biennial, essays on Taiwan art after 1945,
Taiwanese artist profiles, and more... |
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| Volume
1, Number 3, Fall/November 2002 |
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Includes
a discussion on Chinese experimental art in 1990s, an overwiew
of contemporary Taiwanese art, a look at globalization, urbanization
and New Chinese Art, a collection of essays on the Long March
Project, and more... |
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| Volume
1, Number 2, Summer/August 2002 |
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Includes
an essay on Taiwan's contemporary art in the post-martial-law
era, an essay on political aspirations in art production concerning
China's Cultural Revolution, and more... |
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| Volume
1, Number 1, Spring/May 2002 |
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Inaugural
issue. Contains views on contemporary Chinese art by a panel
of established academics and artists, a curator's account
of a trip to China, an article on life and art of Cai Guoquiang,
an academic essay on Quian Zhongshu, an interview with Song
Dong, reviews of recent contemporary Chinese art events, and
more... |
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