Everyday Miracles: Four Women Artists
The Chinese Pavilion at the 52nd Venice Biennale Hou Hanru
p.
14
Acting Out From Atopia
The Taiwan Pavilion at the 52nd Venice Biennale Hongjohn Lin
p.
18
On the Road to Venice, or, A Parrot Speaks to Me
The Hong Kong Pavilion at the 52nd Venice Biennale Norman Ford
EXHIBITION FEATURES
p.
22
The Asia-Pacific Triennial Jo-Anne Birnie Danzker
p.
42
About Arrivals and Departures: New Perspectives on Hong
Kong Art
A Dialogue Between Yuen Fong Ling, Sally Lai, Howard
Chan, and Siu King-Chung
p.
52
Yes Again, And This Time It’s for Real:
An Interview with Simon Groom and Karen Smith Nav Haq
p.
62
Uncertain Realities: The Shanghai Contemporary Art Scene
and Censorship Biljana Ciric
p.
67
There are Already Thousands of Exhibitions in the World:
A Letter for Heman Hu Fang
ARTIST FEATURES
p.
70
Regarding Book from the Ground Xu Bing
p.
76
Trans-boundary Experiences: A Conversation between
Xu Bing and Nick Kaldis
p.
94
Sites of Construction and Encounter:
Interview with Wang Wei Nav Haq
p.
100
Seeing What Is To Be Forgotten: The Photography, Video,
and Performance Art of Han Bing Shannon May
RESPONSE
p. 106
Who is Pounding The Wall? A Response to Paul Gladston’s
“Writing on the Wall and (Entry Gate): A Critical Response
to Recent Curatorial Meditations on the ‘Chineseness’ of
Contemporary Chinese Art” Gao Minglu
