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Yishu-
Journal of Contemporary Chinese Art
Volume 4, Number 2, Summer/June 2005
h
p.
7
p.
12
p.
83
p.
93
p.
101
h
p.
2
Editor's
Note
p.
3
Contributors
DISPLACEMENTS:
TRANSCULTURAL ENCOUNTERS IN CONTEMPORARY CHINESE ART
p.
6
Opening Remarks: Re-Placing Contemporary Chinese Art Richard Vinograd
p.
10
Remarks Michael Sullivan
PANEL
I: ISSUES IN CONTEMPORARY CHINESE ART
p.
12
Prodigal
Sons: Chinese Artists Return to the Homeland Melissa Chiu
p.
18
Between
Truth and Fiction: Notes on Fakes, Copies, and
Authenticity in Contemporary Chinese Art Pauline J. Yao
p.
25
Ink
Painting in the Contemporary Chinese Art World Shen Kuiyi
p.
30
Remarks Richard Vinograd
PANEL
II: EXHIBITING CONTEMPORARY CHINESE ART
p.
42
Reflections
on the First Chinese Art Seminar/Workshop,
San Diego, 1991 Zheng Shengtian
p.
40
Between
the Worlds: Chinese Art at Biennials since 1993 John
Clark
p.
56
Between
Scylla and Charybdis: The New Context of
Chinese Contemporary Art and Its Creation since 2000 Pi Li
p.
60
Remarks:
“Whose Stage Is It, Anyway?” Reflections on the Correlation of “Beauty” and International Exhibition
Practices of Chinese Contemporary Art Francesca Dal Lago
PANEL
III: POSITIONING CONTEMPORARY CHINESE ART
p.
62
How
Western People Support/Influence Contemporary
Chinese Art Zhou Tiehai
p.
64
The
Positioning of Chinese Contemporary Artworks in
the International Art Market Uli Sigg
p.
67
Chinese
Contemporary Art: At the Margin of the American Mainstream Jane Debevoise
p.
75
Remarks Britta Erickson
p.
76
Artist
Project: WILL Zhou Tiehai
p.
85
On
the Edge Visiting Artists Program Britta Erickson
p.
96
On
the Spot: The Stanford Visiting Artists Program Pauline J. Yao
REVIEWS
p.
99
Review
of On the Edge: Contemporary Chinese Artists
Encounter the West Qing Pan
p.
99
Iris
& B. Gerald Cantor Center for Visual Arts Acknowledgements