Yishu

p. 17

p. 24

p.41

p. 85

p. 105

WOMEN ARTISTS

p. 4

Take One: Cruel/Loving Bodies
Sasha Su-Ling Welland

p. 8

In Anticipation of Men’s Art: Re-reading Women’s Art in Hong Kong
Anthony Leung Po Shan

p. 15

Casting the Mold of Female Body and Identity: Reinterpreting Biographies of Exemplary Women
Wu Weihe

p. 20

Lift the Cover from Your Head
He Chengyao

p. 25

The Body as Site for the Feminine and the Intercultural
Lesley Sanderson

p. 30

The Stranger: An Artist’s Statement
Mayling To

p. 32

Take Two: Cruel/Loving Bodies
Susan Pui San Lok

p. 34

Yu Hong’s Witness to Growth: Historic Determination and Individual Contingency
Xenia Tetmajer von Przerwa

p. 43

Emerging from Behind the Screen of Female Art
Yang Li and Gu Zhenqing

VENICE

p. 48

Looking Forward from Venice: The Prospects of Contemporary Chinese Art
Panel Discussion

HANS ULRICH OBRIST CAMERA INTERVIEWS

p. 62

Three Men and a Camera: Chang Yung Ho, Wang Jianwei, and Yang Fudong
Vivian Rehberggghghghgghgghggg

p. 64

Interviews with Chang Yung Ho,Wang Jianwei, and Yang Fudong

LONG MARCH

p. 72

If It Isn’t Built, It Can’t Be Torn Down: Notes on Wang Wei’s Temporary Space
Philip Tinari

p. 74

Long March: A Walking Visual Display On-Site Criticism Meeting

REVIEWS

p. 105

Chen Zhen at P.S. 1
Jonathan Goodman

p. 107

Rong Rong’s East Village at Chambers Fine Art
Jonathan Goodman