Yishu

p. 6

p. 28

p.37

p. 65

p. 105

CHINESE PARTICIPATION IN THE 50TH VENICE BIENNALE

p. 3

Editor's Note

p. 4

Limbo Zone
Shu-min Lin

p. 10

Synthi-scapes
Fan Di’an

p. 17

Navigating the Dot
Para/Site Art Space

p. 21

Z.O.U.—Zone of Urgency
Hou Hanru

p. 22

Big Tail Elephants in the 1990s
Lin Yilin

p. 33

The U-thèque Organization: An End or a Beginning?
Ou Ning

p. 52

Interview with Hou Hanru
Ken Lum

p. 58

The Spectre of Being Human
Charles Merewether

p. 82

The Contemporary Artistic Deconstruction—and Reconstruction—of Brush and Ink Painting
Britta Ericksonhgghghghgghgghggg

p. 90

Art, Hong Kong, and Hybridity: A Task of Reconsideration
Joan Kee

p. 99

Globalization and Chinese Contemporary Art
Tsai-chin Ni

p. 105

Architectural Junctions: Where Contemporary Artists Play Up the Imagination of Architectural Space
Zhang Qing

LOOKING AHEAD: DIALOGUES IN ASIAN CONTEMPORARY ART

p. 111

Preface
Melissa Chiu

p. 112

Transcription
Transcribed by Julie Grundvig

REVIEW

p. 122

Too Much Flavor at Chambers Fine Art
Xenia Tetmajer von Przerwa

p. 124

Miguel Trelles at Taller Boricua
Jonathan Goodman