Yishu

p. 9

p. 15

p. 37

p. 47

p. 62

p. 4

Traveling Artists, Traveling Art, Ethnographic Luggage
Sasha S.Welland

p. 13

System and Style in the Practice of Chinese Contemporary Art: the Disappearing Exterior?
John Clark

p. 32

From Iconoclasm to Neo-Iconolatry: Taiwan’s Contemporary Art in the Post-Martial-Law Era
Chia Chi Jason Wang

p. 44

From Street Art to Exhibition Art: The Art of the Red Guard During the Cultural Revolution
Wang Mingxian

p. 51

Political Inspiration in Art Production: On Three Oil Paintings Depicting Mao Zedong During the Cultural Revolution
Yan Shanchen

p. 61

Brushes are Weapons: Art Schools and Artists During the Cultural Revolution
Shengtian Zheng

p. 66

Zaofan Youli/Revolt is Reasonable: Remanifestations of the Cultural Revolution in Chinese Contemporary Art of the 1980s and 1990s
Martina Köppel-Yang

p. 76

For Reference Only: Restricted Publication and Distribution of Foreign Literature During the Cultural Revolution
Shuyu Kong

p. 86

Variations of Ink: A Dialogue with Zhang Yanyuan
Wu Hung

p. 91

Event City and Pandora’s Box: Curatorial Notes on the 2002 Gwangju Biennale
Hou Hanru

REVIEW

p. 93

Identity Politics? Allegorical Existence? On the Way to the Fantastic
Elsa Hsiang-chun Chen