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Greetings from Yishu
The year 2010 marks Yishu’s ninth year of publishing and its third year as a bi-monthly publication. The inaugural issue debuted in the spring of 2002, and Ken Lum’s opening editorial statement stressed the aim of Yishu “to not only reflect on discourses about Chinese art but also to produce and lead discourses on Chinese
 

Osage Kwun Tong Presents Biography
A new generation of artists in China today occupies a peculiar position. Weary of academy traditions, the overkill of political pop and cynical realisms, yet keenly aware and critical of contemporary phenomenon, these artists often possess strong individual expressions whose works create small
 

Blind but not Foreign: Gao Weigang and the New Insider-Outsider Art | A Review by Robin Peckham
Gao Weigang is an anomaly, a supreme practitioner of artistic pragmatics. Having toiled away in relative obscurity as a teacher of oil painting in Tianjin, he accidentally found himself in Beijing a few years ago to close a real estate deal for an artist

 



Yishu Edition Prints

Launched in 2007, Yishu is pleased to offer limited edition prints and photographs by some of today’s most important Chinese artists.

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